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The Splendour of Sri...
The Splendour of Srivilliputtur
by: Chithra Madhavan₹1,200.00 ₹1,080.00
ISBN: 9788195171835
Year Of Publication: 2022
Edition: 1st
Pages : 143
Language : English
Binding : Hardcover
Publisher: Universal Publishing
Size: 30
Introduction
Preface
1. Sthala Puranam
2.An Incarnation through Devotion
3.An Epic of the Bhakti Movement
4.Architecture & Sculpture
5.The Enigma of Andal Nachiyar’s Parrot
6.Festivals
7.Arayar Sevai at Srivilliputtur
8.Songs on Srivilliputtur
9.Andal’s Wedding
10.Inscriptions
11.Prasadams
12.Temples Connected with Srivilliputtur
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Sale!Ramayana Culture by: Mandakranta Bose
₹800.00₹720.00These essays, originally presented at an international conference, are in the forefront of the modern response to an ancient work that has gained a new critical and social relevance in contemporary scholarship. Approaching the Ramayana from several angles in an attempt to understand its aesthetic and ideological meaning, they examine the epic through the perspectives of textual criticism, art, architecture and film. Thereby they address critical issues such as the seminal status of Valmiki, the underlying problem of canonicity itself, the importance of other — so-called derivative — Ramayanas, the implications of gender representation, and the cultural manipulation of social ideals relating to the position of women and the idealisation of love that achieves its highest value in marriage. Using the methods of rigorous textual and historical investigation, each essay seeks not only to uncover the layers of meaning in the complex structure of the epic in its varied forms but also to situate it critically in the cultures of South and Southeast Asia.
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Sale!Explorations in Indian Philosophy by: Rajendran Chettiarthodi
₹550.00₹495.00Any discourse on Indian philosophy has to be taken out of the box in which it was confined for ages using obsolete methods for evaluating thinking patterns. In the traditional way of analysing Indian philosophy there was an inimical approach to each other between the philosophers and the philologists, and between the Sanskrit tradition-oriented philosophers and modern English/vernacular-based philosophers. This friction is evident in the hesitation of the traditionalists in giving philosophers like Daya Krishna and K.C. Bhattacharyya their due share.
The twelve essays in this volume address many a question about the characteristics of Indian philosophical traditions and Indian-ness. Indian philosophy is essentially not Sanskrit based alone, there is a significant contribution to it from the South Asian languages and English, and the cultures of the subcontinent. It attempts to provide provocative insights in sharing the author’s penetrative acumen both in his traditional and modern approaches to South Asian intellectual systems. It therefore addresses the prejudice between the East and the West, and traditional and modern, and the concerns of South Asian diaspora in the Western countries.
As far as this anthology is concerned, the icing on the cake is the Foreword by Dr Mrinal Kaul, who critically analyses the major developments taken place in the realm of Indian philosophy in the last few decades, critically appreciating the contents. -
Sale!Assimilation of Brahmanism into Buddhism by: Sampa Biswas
₹2,100.00₹1,890.00Assimilation of Brahmanism into Buddhism is a research work on Buddhism and Buddhist art of early medieval period in India. Archaeological materials and literary records suggest that Buddhism had a continuous existence during the third century bce to the thirteenth century ce in India. Though early Buddhism was totally different in its doctrines and faith from the Brahmanical system, the Buddhism of today is a religio-philosophical system having assimilated and adopted new ideas and beliefs from the environment in which it was born and nurtured.
The introduction of Tantrism bought Buddhism and Brahmanism closer to each other. It opened the gate to the vast field of Buddhist iconography along with Tantric practices, deities, mudras and mandalas. Many of these were influenced by the Brahmanic idea of godhead and some were the combination of one or more ideas of Brahmanic divinities. There was assimilation of a number of factors between Brahmanism and Buddhism.
This scholarly volume addresses the different aspects of this assimilation process by getting into a historical study of Hinayana and Mahayana Buddhism; outlining the political history, and socio-economic and religious changes during 300700 ce; scanning the political and economic background and the spreading of esoteric Buddhism; emergence of Vajrayana Buddhism; and providing a detailed sketch of Vajrayana images. -
Sale!Absence of the Buddha Image in Early Buddhist Art by: Kanoko Tanaka
₹1,500.00₹1,350.00It is next to impossible today to even think of Buddhism without the presence of the Buddha image! The image of the Buddha, in truth, has not only come to symbolise the essence of Buddhism but is also a brilliant expression of the cultural/artistic achievements of the Buddhists since ancient times. Surprisingly, the Buddha image developed at a later stage of the evolutionary process; after the parinirvana of the Buddha, the Buddhists for a considerable time beheld the Buddha and experienced him in their own minds without taking recourse to the Buddha image itself. In Absence of the Buddha Image in Early Buddhist Art, Dr. Tanaka, a well-versed scholar, has for the first time ever explored the absence of the Buddha image in Buddhist art particularly in the period from third century bc to late first century ad in order to rediscover the significance of this phenomenon. Dr. Tanaka observes Bharhut and Sanchi sculptures to point out the most essential motifs and elements of stupa-art design the visible facts pertaining to the absence of the Buddha image. The author studies the religious, philosophical, artistic and political significance of the visible facts, highlighting the concept of the empty throne as the motif representative of that absence. She applies the empty throne concept to the sanctuaries of monotheistic religions, and thus undertakes a comparative study of Buddhism and other religions, particularly, Zoroastrianism, Judaism, Christianity, Islam and Sikhism to suggest that present-day discussions on the linkage between religions can centre on this theme. The dexterous handling of the topic combined with the authors use of first-hand research material makes this an erudite study. The directness in the authors approach and the unwavering eye on the theme sustains the interest throughout. An abundance of visual material, i.e., drawings and photographs, and tables immensely aid in analysis of the visible facts. This intense work on a rich theme offers well-researched and interesting material that will be useful to scholars of religious studies, fine arts and even philosophy.
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Sale!Birds and Animals in Mughal Miniature Paintings by: Zaheda Khanam
₹1,600.00₹1,440.00The depiction of flora and fauna has been an intrinsic part of Indian painting traditions. The Mughals in their turn, in their fascinating paintings, used the bird and animal imagery to lend a special quality to their art of painting. This book, with over 70 illustrations, is a survey of the birds and animals used in Mughal paintings, especially during the reigns of Emperors Akbar and Jahangir. With historical details, it shows that the depiction of various kinds of birds and animals played a significant role in conformity with the context or the demands of the narratives. The artists painted both wild and domestic animals with equal competence. Outlining the differences in the paintings under the Mughal rulers themselves with regard to depiction of fauna, it notes that while Akbar was interested in historical, mythological or anecdotal events, Jahangir introduced album paintings and evinced interest in individual portrait studies of fauna. In all, it showcases the meticulous depiction of fauna in Mughal art and its persevering beauty. It mentions the names of a host of artists who executed the paintings and the many illustrated manuscripts mythological, historical and on popular fables that saw lavish use of paintings with faunal imagery. The book will interest historians especially those studying art history of the medieval period.
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