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Puratattva (Vol. 1: ...
Puratattva (Vol. 1: 1967-68)
Bulletin of the Indian Archaeological Society by: S.P. Gupta , K N Dikshit , K.S. RamachandranThis, an authorised reprint of an annual bulletin of the Indian Archaeological Society, has been offering valuable informations, full with rich insights and innovative viewpoints, on the Indian archaeology that includes excavations, inscriptions, temples, mosques, iconic symbols, paintings, etc. This yearly bulletin is highly recommended for archaeologists, epigraphists, historians and research scholars besides the general readers having interest in such fields.
₹540.00
ISBN: 9788124602775
Year Of Publication: 2005
Edition: 1st
Pages : viii+112 [+12]
Bibliographic Details : 1 Folded Chart; 14 B/w photos
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 25 cm.
Weight: 525
Puratattva is the annual bulletin of one of the worlds most prestigious academic organization, the Indian Archaeological Society which was founded as early as 1967. From the very beginning, the Society has aimed at publishing the results of the latest archaeological discoveries made in India. Those who have contributed to the journal over the years include not only the eminent archaeologists excavating major sites, like Professors H.D. Sankalia, B.B. Lal, B.P. Sinha, Krishna Deva, A.K. Narain, G.R. Sharma, M.N. Deshpande, B.K. Thapar, S.R. Rao, B.M. Pande, J.P. Joshi, M.C. Joshi, M.S. Nagaraja Rao, A. Sundara, K.N. Dikshit, V.N. Misra, Vibha Tripathi, Rakesh Tiwari, V.S. Wakankar, Giriraj Kishore, K.V. Raman, N.C. Ghosh, K.M. Srivastava, M.A. Dhaky, V.D. Mishra, M.K. Dhavalikar, R.S. Bisht, B.R. Mani, R.C. Agarwal, S.P. Gupta, R.K. Verma, J.N. Pal, U.V. Shinde, Rakesh Tiwari, Alok Tripathi, Amarendra Nath, D.N. Tripathi, Ajith Prasad, K.S. Ramchandran, D.V. Sharma, but also young and budding scholars brimming with new ideas and equipped with new scientific techniques, exploring practically every part of the country and preparing their research works for their Doctoral and post-Doctoral degrees. Scholars from universities and research institutions like the Banaras Hindu University, Madras University, Nagarjuna University, Utkal University, Allahabad University, Patna University, Calcutta University, Mysore University, Baroda University, Kurukshetra University, Rohtak University, Lucknow University, Gorakhpur University, Deccan College, Indian Archaeological Society and the Archaeological Survey of India, the largest body of archeologists in India, to name a few, have been engaged in extensive and intensive field-work in the country. They have been regularly contributing their research-papers to this journal. The subjects covered by these scholars include Stone Age cultures, including Neolithic Culture and the Rock Art, Bronze Age Culture and the Rock Art, Bronze Age Culture of the Harappans found in the Indus and Saraswati basins, Chalcolithinc cultures found in the Deccan, Malwa, Maharashtra, Bengal, Bihar, Madhya Pradesh and Uttar Pradesh, and Early Iron Age cultures, including the Megalithic Culture, throughout India. They also include topics like Underwater Archaeology, Epigraphy, Numismatics, Art, Architecture, Conservation of Monuments, Antiquarian Laws and International Conventions. Puratattva also contains Notes and News, Book Reviews and dialogues between scholars on various issues. So far as many as 34 volumes have been published which provide a mine of information, without referring to which no worthwhile research-work on Indian history and archaeology is at all possible. The articles include even those presented in the Annual Conferences of the Society. This is precisely the reason the Puratattva is consulted throughout the world to gather details on the progress of Indian archaeology and insights on Indian history and culture. It is indeed of permanent value for all scholars and all libraries in India and abroad.
Archaeology and the Ramayana or Dating the Ramayana
— H.D. Sankalia
Inter-relations between Archaeology and Plant Sciences
— Vishnu-Mittre
A Further Note on the Direction of Writing in the Harappan Script
— B.B. Lal
Proto-historic Chronology and Technological and Ecological Factors : A Synthesis
— D.P. Agrawal
The Changing Face of Archaeological Studies
— K.V. Soundara Rajan
Burial Practices in the Neolithic cultures of South India
— Purushottam Singh
A New Painted Pottery from Vidarbha
— S.B. Deo
The Use of Terms Prehistory and Protohistory in Indian Archaeology
— K.K. Sinha
A Note on the Chemical Composition of Some Glass Beads from Rajghat, Varanasi
— H.C. Bhardwaj
A Relationship between the Chal-colithic Culture of India and the Chust Culture of the Farghana Valley, U.S.S.R.
— S.P. Gupta
Alam-girpur and the Iron Age in India
— O.P. Tandon
Typology in Prehistory
— P.C. Pant
Patapadu Revisited : A New Painted Pottery Culture of South-East India
— I. Karthikeya Sarma
Sankhu Buddha
— Balram Srivastava
Two Early Stone Age Sites on River Son in District Bilaspur, M.P.
— Nisar Ahmad
A Clay Tablet in Lucknow Museum : An Artistic and Religious study
— Kiran Kumar Thaplyal
An Episode from Ramayana on a Terracotta Panel
— Surendra Kumar Srivastava
A Prehistoric Bronze Anthropomorph in the Patna Museum and its Identification
— Prithvi Kumar Agrawala
The Tribal Deity of the Vishanins
— Deenabandhu Pandey
A Microlithic Site from Shahabad District, Bihar
— Bhupendra Pal Singh
Book Reviews
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Sale!Bundelkhand ka Svatantrata Sangarsha ₹612.00
प्रस्तुत पुस्तक के द्वारा भारत के स्वतंत्रता संघर्ष में बुन्देलखण्ड की जनता के योगदान को सामने लाने का प्रयास किसा गया है। गांधीजी की बुन्देलखण्ड यात्रा एवं ओरछा के समीप सतार नदी के किनारे चन्द्रशेखर आजाद के हरिशंकर ब्रह्मचारी के नाम से कुटिया बनाकर रहने से समस्त बुन्देलखण्ड में तेजी से राष्ट्रवादी भावनाओं का प्रसार हुआ। 1923 के झण्डा सत्याग्रह एवं 1930 के जंगल सत्याग्रह में बुन्देलखण्ड के लोगों ने बढ़-चढ़कर भाग लिया। ब्रिटिश भक्त देशी रियासत के राजाओं ने जब जनता पर अत्याचार किया तो जनता ने प्रजामण्डल की स्थापना कर उनका विरोध किया। इसी विरोध के फलस्वरूप संक्रांति के मेले के दिन 14 जनवरी 1931 को छतरपुर जिले में जलियाॅवाला बाग की तरह ही चरण-पादुका हत्याकाण्ड घटित हुआ। पं. माखनलाल चतुर्वेदी ने कर्मवीर समाचार पत्र के माध्यम से 1920 में रतौना में खोले जाने वाले कसाई खाने का इतना प्रखर विरोध किया कि सरकार को घबराकर अपनी कसाईखाना खोलने की योजना त्यागनी पड़ी। यह एक ओर बुन्देलखण्ड की धरती पर अंग्रेजों की करारी शिकस्त थी, तो दूसरी ओर पं. माखनलाल चतुर्वेदी की पत्रकारिता की महत्वपूर्ण जीत थी।
सागर के भाई अब्दुलगनी, ज्वाला प्रसाद ज्योतिषी, केशवराव खाण्डेकर एवं मास्टर बलदेव प्रसाद, दमोह के भैयालाल चैधरी, अजयगढ़ पन्ना के चंदीदीन चैरहा, छतरपुर के पं. रामसहाय तिवारी, टीकमगढ़ के लालाराम वाजपेयी एवं झांसी के भगवानदास माहौर आदि ने बुन्देलखण्ड के स्वतंत्रता संघर्ष को गति, दिशा एवं अर्थ प्रदान किया। इन्हें पं. द्वारका प्रसाद मिश्र एवं पं. सुन्दरलाल तपस्वी का कुशल नेतृत्व एवं मार्गदर्शन मिला। गोवा मुक्ति आन्दोलन में भी सागर की सहोद्राराय एवं केसरी चन्द मेहता सहित अनेक सत्याग्रहियों ने गोवा जाकर आन्दोलन को सफल बनाया। उक्त सभी घटनाक्रम की रोचक, सहज, सरल, सुबोध एवं तथ्यपरक जानकारी इस पुस्तक में दी गई है। छात्रों, शोधार्थियों, शिक्षक बन्धुओं सहित प्रत्येक वर्ग के लोगों को यह पुस्तक ज्ञानवर्धक एवं रुचिकर लगेगी। -
Sale!Art & Archaeology of India ₹630.00
The book begins with an introduction on the prehistoric and proto-historic cultures of India. Well-known historians discuss human evolution as gathered from hominid fossil remains, pre-human hominid remains of the Siwaliks and fossil remains of the Narmada basin. The systematic study, mentioning the areas of finds and their geography and other characteristics, examines the nature of cultural relics belonging to each period and dynastic rule; agriculture, trade, settlement and migration patterns related to making, use and spread of art materials; how the finds reflect upon rise of craft and industrial centers at the time; and social and religious aspects of society that are revealed by the art and architecture of the periods. Importantly, it reveals the interchange of cultural thoughts and lifestyles and of art and architectural influences; and the synthesis of artistic style and materials as evident in especially the periods of Muslim rule in India. The book also features fossil finds, art and architectural materials pertaining to painting, pottery, sculpture and iconography, and literary materials like Persian documents housed in the Indraprastha Museum of Art and Archaeology, New Delhi. The materials date from the stone ages, Indus-Saraswati Civilization and Chalcolithic period to what are commonly identified as the ancient medieval and modern periods of Indian history. The volume will be useful to scholars and students of various disciplines history, archeology, art and culture, and sociology.
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Sale!Copper-Plate Inscription of Odisha ₹2,970.00
Odisha is well known for its epigraphical wealth. More than 400 copper-plate grants and 1,000 stone inscriptions ranging from the fourth to the sixteenth century ce have been discovered so far. In this volume, the author has taken extreme care in documenting all the published and unpublished copper-plate grants including the stray plates, spurious charters and the palimpsests.
These epigraphs are grouped under different dynasties and the relevant data in each copper-plate inscription have been systematically classified making the volume a descriptive catalogue of the copper-plate inscriptions of Odisha. It, thus, painstakingly furnishes detailed information about the rulers and the beneficiaries, religious persuasion of kings, occasion and purpose of the grants, eras and other astronomical details, officers and persons present at the time of the grants, rights and privileges transferred to the donees, land measures, prevailing currency system of the period, administrative and revenue terms, topographical details, development of language and scripts, and so on. These inscriptions, mostly in Sanskrit, also delineate the system of numeration while specifying the era or days of a month, amount of tax to be paid, land measures, etc.
While adopting a comprehensive approach in treating the subject, the book deals with the technique of preparing copper plates for writing the royal deeds; flattening of the metal sheets into rectangular plates, their sizes, positing of the seals, the symbols and legends on the seals, amidst many more pieces of information.
This innovative and scholarly work should entice the spirit of students, historians and researchers, especially those who are interested in the history and culture of Odisha. The bibliographical details furnished in the volume will prove to be of immense help to serious scholars working in the field. -
Sale!Artisans and Craftsmen of Northern India ₹990.00
The basic aim of the book is to expose the major contributions of artisans and craftsmen in portraying the society in different perspectives. These artisans and craftsmen, were drawn mostly from the shudras, lower caste of the community, suppressed and have-nots section of the society, but were highly talented. The work is also designed to create interest among the reader and scholars alike, to understand the society of the period under reference through the immortal art of these creative people. The artisans such as potters, weavers, carpenters, architects, sculptors, brick-makers, metallurgy and metal workers, leather workers, painters, and the workers engaged in the profession of ivory, glass and mirror, perfume and cosmetic, musical instrument, oil, salt and liquor makers, etc. were the heroes of that time, who not only met the day-to-day requirement of the then society, but also portrayed different aspects of their life, in its true color, through their workmanship. It was the architect who designed and constructed houses to live in, as well as water tank, well and channel, royal building, stupa, temple and fort, bridge, pillar and rock-edict etc., which met the need of the society.
Today, we feel proud of the rich heritage of old Indian art and architecture, credit for which solely goes to the then artisan who crafted immortal creations. However, the invaluable contribution made by the historians in immortalizing their creations, by putting them in black and white, is no less important. It is the historian, whose mighty pen has immortalized not only Ashoka the great, as a king but also the creators of the stupas of his times on equal footings. It is with this aim in view that the present book has been presented to the posterity, in order to pay rich tributes to the creators of our rich cultural heritage.
Unluckly there was no proper institutionalized provision for the education of artisans and craftsmen, so generally the former adopted the occupation of their parents and hereditary skill was enhances as it was transferred from father to son, and generation to generation. Contemporary sources reveal that the social stautus of artisan class was based on the nature and economic conditions of a particular profession. -
Sale!Apsarases in Indian Literature and the Legend of Urvasi and Pururavas ₹315.00
Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. Of such legends, a few have become much popular and they reappear in the course of the history of literature at various stages. One such legend is that of Urvashi and Pururavas which is one of the most ancient legends of India, owing its origin to the Rigveda. This scholarly work, based on extensive original sources primary, comprising ancient Sanskrit texts, commentaries and glosses and modern literary pieces, kavyas and plays, as well as critical writings on these original works, studies the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic and classical works. In this context, it undertakes an interesting survey of the concept of nymphs (apsarases) in Indo-European, especially Greek mythology. Dr. Handique then thoroughly examines the depiction of the legend of Urvashi and Pururavas a favourite theme that has been immortalised in literary masterpieces in Indian literature as a whole: from the ancient Vedas and Puranas, the Harivamsha and Vikramorvashiyam to modern works like Urvashi Janani and Abhishapta Urvashi and stray poetic pieces. Presenting a new angle to the study, the book attempts to explore aspects of an age old tradition that bears close affinity with the institution of the apsarases in terms of mode of living worship and ideals like system of the devadasis. The book will prove invaluable to scholars of Indian mythology, culture and literature as well as interest general readers of ancient India’s legends and tales.
