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Balagopalastuti...
Balagopalastuti
Celebrating the Child Krishna by: Harsha V. Dehejia , Jahnabi Barooah Chinchani , Narmada Prasad Upadhyaya₹1,195.00 ₹1,076.00
ISBN: 9788124610015
Year Of Publication: 2019
Edition: 1st Edition
Pages : 96
Language : English
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Weight: 350
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Sale!Yoga-Sutra of Patanjali by: Saugata Bhaduri
₹175.00₹158.00Patanjali’s Yoga-sutra, one of the most well-known works in the Indian classical tradition, is recognised as the primary text of Yoga philosophy. Here, Dr. Bhaduri adopts a simple but unique approach in his study of the text to make it more suitable to the needs of the Indian students. This English translation of the Yoga-sutra by Dr. Bhaduri under the guidance of Prof. Kapil Kapoor in shastra Group of Centre of Liguistic and English, at Jawaharlal Nehru University, retains many Sanskrit terms, adding the English equivalents in footnotes and the glossary to avoid making inadequate renderings of Sanskrit technical terms. It translates only what is stated in the concerned sutras without elaborate commentaries in order not to confuse the reader and to allow him to draw independent conclusions. Presenting the sutras in original Sanskrit form along with their Roman transcription, it examines the Yoga philosophy in relation to the other five orthodox systems of classical Indian philosophy and analyses the manner in which it deals with issues of cognition and signification.
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Sale!Rasa in Aesthetics by: Priyadarshi Patnaik ₹531.00 – ₹891.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
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Sale!Aditya Hrdayam by: Swami Tattvavidananda Saraswati
₹180.00₹162.00The ancient Indian tradition and literature accords a supreme place to the Sun in the order of divinities, revering and worshipping it as the life-force of the Universe and the highest Reality. The commentary by Swami Tattvavidananda Saraswati in this volume comes as an attempt to unravel the power and mystique of the Sun as explained in the Aditya Hrdayam, a small canto chapter offering obeisance to the Sun God in the immortal epic, Srimadramayanam of Adikavi Valmiki. The book presents the original Sanskrit mantras of the Aditya Hrdayam along with their Roman transliteration and lucid English translation. The verses are accompanied by detailed annotations that describe every term, concept and idea with great clarity. The commentary, easy to follow and fluent in flow, explores the secret of the eternal stotra, Aditya Hrdayam conveyed by Sage Agastya to Lord Rama using which the latter emerged victorious over Ravana. Aditya Hrdayam is hailed as one of the greatest tributes to the Sun by our ancient sages that provides insights into the importance of the Sun as the creator and sustainer of the Universe, the ultimate source of all wealth. The commentary involves copious references to Taittiriya Samhita, Taittiriya Aranyaka, Taittiriya Upanisad, Chandogya Upanisad, Srimadbhagavadgita, etc. , which make it all the more comprehensive and scholarly.
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Sale!Love Songs of Nawab Wajid Ali Shah by: Harsha V. Dehejia
₹795.00₹716.00This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. -
Sale!Asvalayana-Samhita of The Rigveda (2 Vols. Set) by: B.B. Chaubey
₹2,500.00₹2,250.00Among the twenty-one Sakha-Samhitas of the Rigveda, as mentioned by Patanjali, only seven Samhitas were known by name and among these too, only one Sakala-Samhita was available in printed form so far. Now with the publication of the present editon of the Ashvalayana-Samhita a complete picture of a new Sakha-Samhita will come to fore for the first time. In comparison to the Sakala-Samhita, the Ashvalayana-Samhita has 212 additional mantras among which some occur in the common suktas and others form 16 additional complete suktas. Among these additional suktas special mention may be made of Kapinjala-sukta (II.44), Lakshmi-sukta (V.88-89), Pavamana-sukta (IX.68), Hiranya-sukta (X.130), Medha-sukta (X.155) and Manasa-sukta (X.171).
The book in two volumes presents the full text of the Ashvalayana Samhita of the Rigveda with padapatha, marked with proper accent marks. The additional mantras of the Ashvalayana Samhita followed by their translation in English and Hindi are also provided at the end of the Samhita text.
In a detailed introduction of the text the learned editor has examined the existence of Sakha-Samhitas of the Rigveda as mentioned by the Puranas, Patanjali, Mahidasa and other authorities, scrutinising textual evidence in support of them. The focus is, however, on the Ashvalayana-Samhita, with a background on Acarya Ashvalayana and exploring the antiquity, treatment of accent and padapatha of the text by referring to various sources.
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