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Atmopadesh Satak...
Atmopadesh Satak
One Hundred Verses of Self-Instruction by: Narayana Guru , Swami Muni Narayana PrasadAtmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
₹120.00 ₹108.00
ISBN: 9788124601310
Year Of Publication: 1999
Edition: 1st
Pages : iv, 156
Language : Hindi
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 22 cm.
Weight: 200
Atmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
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Sale!Balagopalastuti by: Harsha V. Dehejia, Jahnabi Barooah Chinchani, Narmada Prasad Upadhyaya,
₹1,195.00₹1,076.00 -
Sale!Rasa in Aesthetics by: Priyadarshi Patnaik ₹531.00 – ₹891.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.
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Sale!Brhadaranyaka Upanisad Vol. 2 Muni Kanda by: Nitya Chaitanya Yati
₹800.00₹720.00The Brihadaranyaka Upanishad is one of the ten major Upanishads. A dialectical narration that unabashedly stands up to the rational scrutiny of the modern mind, it is directed towards both the individual aspirant caught up in the dark morass of confusion and the philosophic thinker in search of rare pearls of wisdom from humanitys treasury. Guru Nityas matchles commentary will enable the reader to discover the ancient seers timeles insights, to appreciate a fully-developed, integrated system of thought, and, most importantly, to learn to connect with what is real and enduring in his or her own essence. Schematically, the Brihadaranyaka Upanishad a brilliant discourse from the Yajur Veda is set out in three volumes, entitled: Madhu Kanda, Muni Kanda and Khila Kanda. In his planned three-volume thorough-going, meticulously analytical commentary. Guru Nitya distills the wisdom teaching of the Brihadaranyaka Upanishad, drawing on his intimate understanding of the human psyche, as well as both Eastern and Western philosophy, science, art and literature. Dwelling in turn on each of its 435 mantras, its poetic charm, myths, metaphors, images and symbols, Guru Nitya recreates and expands the Upanishadic vision of our own nature, human interaction, and the cosmos, and their relation to the unmoved essence of all. With highly useful appendices and a comprehensive index, the commentary will hold an enduring appeal for both scholars and discerning readers.
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Sale!Ancient History of India by: Charles J. Naegele
₹500.00₹450.00This is a fresh look at the history of Ancient India, centering on the Law Code of Manu (Manusmriti / Manu Dharmashastra), and its relationship to Rigveda and its possible relationship to the Indus/Harappan Civilisation of 4000 to 5000 years ago. It also throws light on Aryan society and culture, castes and guilds, use of technology and related practices in the Indus Valley Civilisation.
Dr. Charles Naegele, a practicing lawyer in Silicon Valley, California, USA, and a lifelong student of classical Indian knowledge, has written a work that will be certain to stir up controversy regarding the re-dating of the Law Code of Manu and the well-documented research concerning almost no possibility of Aryan Invasion Theory and the numerous similarities between the text of the Law Code of Manu and the archeological finds from the Indus/Harappan Civilisation.
Scholars and history buffs, as well as everyone who is proud of Indian heritage will enjoy not only this work, but also his future works. -
Sale!Comparative Literary Theory by: Kapil Kapoor ₹405.00 – ₹720.00
“Two cultures of the world — Greek and Indian — have nourished literature. While the contemporary Western thinking is rooted in Greek thought, especially of Socrates, Plato and Aristotle, and percolated down to the modern European languages with the advent of Christian thought, the multilingual Indian literary tradition has its base from the classical Tamil, Pali, Prakrt and Sanskrit.
Though cultural specificity marks these two traditions off from each other, the universal human condition that finds expression in all literatures binds them together. This book delves deep into the growth of poetics, theory of literature, literary artefacts, aesthetics of literature as an art form, and dramaturgy and philosophy of literature.
Cultures have given forms as their typical expressions — for India great epics, for Greece tragedies, and for England lyrics. Similarly, different ages of a culture find expression in different forms — Elizabethan age of England in lyrics, sixteenth-seventeenth centuries in drama, eighteenth century in prose, and nineteenth century in novel. India’s genius is in epics and its expression unfolds in sravya-preksa compositions, being singable poetry as its preferred form.
This book must serve pretty useful for students and teachers of literature. Also, an invaluable collection for researchers in literature.”