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Atmopadesh Satak...
Atmopadesh Satak
One Hundred Verses of Self-Instruction by: Narayana Guru , Swami Muni Narayana PrasadAtmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
₹120.00 ₹108.00
ISBN: 9788124601310
Year Of Publication: 1999
Edition: 1st
Pages : iv, 156
Language : Hindi
Binding : Paperback
Publisher: D.K. Printworld Pvt. Ltd.
Size: 22 cm.
Weight: 200
Atmopadesa Sataka, mentioning one single principle, explains that mere virtue of gaining knowledge is not an end in itself. Its usefulness should be seen in the social, religious and veneration realms.
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Sale!Aitareya Upanisad by: Swami Muni Narayana Prasad
₹110.00₹99.00Yet another masterly piece of Hindu spiritual wisdom, Aitareya essentially reinforces the grand Upanishadic message which is neither a picturesque mythology nor a promise of heaven nor a threat of hell. It is yet another reminder (from the ancient seers) of our cosmic connection showing how this universe, this phenomenal world of ours, and all that is created, whether movable or immovable, are unfolded from one primeval casual Reality: atman, variantly called the Supreme Spirit, Pure Consciousness or Prajnanam Brahma; and how, in turn, atman perceives itself as the one underlying substance of all these phenomena. A distinguished exponent of Vedanta, Swami Muni Narayana Prasad reinterprets this Upanishad, developing refreshing insights into its textual discourse, its meaning, and its message. Also included in this critical commentary are its original Sanskrit text, Romanised transliteration, and verse for verse English translation. Appended to the Rigveda, Aitareya Upanishad comprises three chapters (IV-VI) of the Aitareya-Aranyaka which, in itself, is a continuation of Aitareya Brahmana. And as one of the principal Upanishads is invaluable as much to the discerning readers as to the scholars of Indian philosophy.
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Sale!Atreyashiksha by: Deepro Chakraborty
₹800.00₹720.00Atreyashiksha is one of the Shiksha texts of the Krishna-Yajurveda, Taittiriya school. This text has been critically edited and translated consulting two palm-leaf manuscripts which are currently the only discovered manuscripts of this text in public libraries. Shiksha texts deal with phonetics and phonology of the Vedas and the method of proper pronunciation and recitation. The Atreyashiksha is well-structured in terms of arranging its topics of discussion.
When compared to the other Shikshas of the Taittiriya school, the Atreyashiksha, in keeping its focus on the discussion on the different methods of Vedic recitation, namely, word-reading (padapatha), sequential reading (kramapatha), tangled reading (jatapatha) and the five varieties of the reading of the phonic sequences (varnakramas), holds a unique position in the corpus of the Shiksha literature. A close reading of the text shows that the main aim of the text is to explain the practical aspects of the different ways of Vedic recitation, in whose connection it describes the theoretical elements of Shiksha too.
The book, therefore, serves as a practical guidebook to Vedic reciters who recite the above-mentioned readings of the Taittiriya Krishna-Yajurveda along with the continuous reading. While describing the methods of recitation, the Atreyashiksha gives enough emphasis on the theoretical nuances. The phonological rules, most of which are expressed in the Taittiriya Pratishakhya, are also illustrated in this text. This book consists of a detailed introduction, the critically edited text in Devanagari script, its Roman transliteration and an authentic English translation. -
Sale!Love Songs of Nawab Wajid Ali Shah by: Harsha V. Dehejia
₹795.00₹716.00This impressively illustrated volume brings forth the evergreen spirit of a Muslim ruler of Awadh, Nawab Wajid Ali Shaw (1822-87), in composing love poetry taking a cue from the amorous Krishna leela and assimilating and practising the same in personal life. A trained Kathak dancer himself and a dedicated patron of poetry, painting and performing arts, Wajid Ali Shah immersed in the rasa of dance, music and drama, and got deeply indulged in the many an expression of shringar, while administering the political affairs of his state.
Recalling the different facets of Nawab Wajid Ali’s life, the book explores the state and fame of Lucknow, of his times, where the Nawab lived a life of refinement and pomp, and attracted the best talents in arts and crafts. It also portrays how were dance and music enjoying pride of place during his reign.
While presenting a penetrating account of Ali Shah’s poetry, the book revisits his musical scholarship, history of his times and presents his poems with English translation. It as well showcases the best paintings centring around his personal and cultural life, and guides one go through the religious and cultural harmony prevailed in Awadh where a lot of factors were at play effecting acculturation between the Hindus and the Muslims, popularly known as the Ganga-Jamuni tehzeeb. -
Sale!Aditya Hrdayam by: Swami Tattvavidananda Saraswati
₹180.00₹162.00The ancient Indian tradition and literature accords a supreme place to the Sun in the order of divinities, revering and worshipping it as the life-force of the Universe and the highest Reality. The commentary by Swami Tattvavidananda Saraswati in this volume comes as an attempt to unravel the power and mystique of the Sun as explained in the Aditya Hrdayam, a small canto chapter offering obeisance to the Sun God in the immortal epic, Srimadramayanam of Adikavi Valmiki. The book presents the original Sanskrit mantras of the Aditya Hrdayam along with their Roman transliteration and lucid English translation. The verses are accompanied by detailed annotations that describe every term, concept and idea with great clarity. The commentary, easy to follow and fluent in flow, explores the secret of the eternal stotra, Aditya Hrdayam conveyed by Sage Agastya to Lord Rama using which the latter emerged victorious over Ravana. Aditya Hrdayam is hailed as one of the greatest tributes to the Sun by our ancient sages that provides insights into the importance of the Sun as the creator and sustainer of the Universe, the ultimate source of all wealth. The commentary involves copious references to Taittiriya Samhita, Taittiriya Aranyaka, Taittiriya Upanisad, Chandogya Upanisad, Srimadbhagavadgita, etc. , which make it all the more comprehensive and scholarly.
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Sale!Rasa in Aesthetics by: Priyadarshi Patnaik ₹531.00 – ₹891.00
The Indian tradition of criticism is over two millennia old. And its rasa theory has, from the beginning, essentially influenced authors, connoisseurs and art critics alike. First expounded sometime between the 1st century bc and the fourth century AD in the eminent aesthetician, Bharata’s Natya Shastra, rasa theory deals with the ‘emotive content’ of a work of art — how it is depicted, inferred and transmitted. Dr. Patnaik’s book is a unique effort that demonstrates, with diverse examples, the universality of this ancient theory and its applicability to modern Western classics. Elucidating afresh the concept of rasa and all its nine primary kinds largely on the basis of Natya Shastra of Bharata and the commentaries of the tenth-century aesthetician, Abhinavagupta, the book investigates the validity of rasa theory as an aesthetic, more specifically, a literary theory, and how its canons are applicable to modern Western literature as well as Chinese love lyrics and Japanese haiku poems. Dr. Patnaik’s transcultural exploration, thus, covers all major genres of literature — poetry, drama and fiction; and also major writers — Lawrence, Mayakovsky, Kafka, Camus, Conrad, Hemingway, Faulkner, Marquez, Eliot, Hesse, O’Neill, Ionesco, Beckett, Lorca, Neruda and several others. In emphasizing the universal validity of the rasa theory, the author considers certain modern problems relevant to text, meaning and readers’/audiences’ response as well. Very few are the examples of applied rasa theory even in Sanskrit and other Indian literatures, leave alone its application to Western creative writing. This book, with its bold framework and lucid style, should, therefore, fascinate the scholars of Indology, Indian aesthetics and, above all, comparative literary criticism.