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The book, a Festschrift volume in honour of Prof. Trichur S. Rukmani, focuses on diverse themes: Patanjali’s Yogasutras, Advaita Vedanta, Gaudiya Vaishnavism, Shaivism, grammar and epic literature. It also addresses issues of contemporary relevance relating broadly to non-violence, environment, gender and syncretism.
This book is a Festschrift volume in honour of Prof. Trichur S. Rukmani that reflects the plethora of issues which she studied in her scholastic life. It includes twenty-four essays by distinguished scholars on various classical and contemporary issues pertaining to Indian studies. While the volume discusses current research in the field of Yoga Prof. Rukmani’s primary research field it also invites further reflection on other areas of Indian thought which have attracted her attention in the course of her long and fruitful academic career.
The volume is divided thematically into six sections. The first two sections deal with the interpretation of the Yoga, Vedanta and Gaudiya-Vaishnava traditions, exploring issues of hermeneutics, methodology and philosophical analysis. The third section addresses issues of continuity within the Indian tradition and includes essays on tantric Shaivism, Mimamsa and the Bhagavad-Gita. The next two sections feature essays on the Sanskrit philosophical discourse, grammar, epic literature and renunciation in the Indian tradition. The last section of the volume takes up issues of contemporary relevance such as the insights from the Hindu tradition towards environmental ethics, the Svadhyaya movement and its dharmic ecology, non-violence, gender, cultural identity as well as syncretism.
The volume, including essays as diverse as Prof. Trichur S. Rukmani’s own scholarly interests, will certainly benefit all scholars and students of Indology, especially those concerned with the religious and philosophical traditions of India.
This volume deals with different issues related to religious practices and institutions in South Asia. It further seeks to substantiate the well-known opposition between the so-called orthodox sovereignty and the heterodox one, of which the so-called vratya-power seems to be a prime example.
This volume, Cross-cutting South Asian Studies: An Interdisciplinary Approach focuses on two themes that are central to Indological studies: religious practices and heterodox sovereignty.
The first part of this volume The Indian Ocean of Religious Practices: Past and Present deals with different issues related to religious practices and institutions in South Asia. These contributions share a similar theoretical perspective on religion: they all highlight, in various ways and through different disciplinary approaches, how, in order to fully understand religious practices and their inherent dynamics, it is essential to consider the power relations that continually imbue and shape them.
The second part Kings, Priests and Prominent Roles Interpreted through the Visual, Literary, Speculative, and Technical Indian Arts seeks to substantiate the well-known opposition between the so-called orthodox sovereignty and the heterodox one, of which the so-called vratya-power seems to be a prime example. Therefore, the target of the relevant contributions consists in focusing on different contexts where the king or chieftain, or merely the patron of the sacrifice, gains his temporary pre-eminence in an agonistic way which includes an important non-permanent ascetic dimension.
Indian academic self-understanding of the day is highly influenced and mediated by the Western culture and its understanding of Indian civilization. The political agenda of the colonizer has overshadowed the legitimacy of Indias history and culture. This development poses numerous doubts about its authenticity and credibility. This volume addresses this and many a related issue.
The present Indian academic self-understanding of its history and culture is largely Western in origin. This Western intellectual enterprise, however, went hand in hand with a Western political enterprise, i.e. the colonization of India. This raises the question: To what extent, if any, did the two developments influence each other? It also raises another question: To what extent did Wests cultural presuppositions influence its understanding of Indian civilization?
The central epistemological issue which these questions raise is the following: What significance does the fact that the self-understanding of a culture is mediated by that of another culture, over which it was culturally and politically dominant, possess for the votaries of the culture whose self-understanding has thus been mediated in this fashion?
This question is not merely of historical but also of contemporary interest, for in an increasingly globalizing world, in which power is unevenly distributed at various levels, the self-understanding of all cultures is likely to be influenced by how they are being presented by other cultures. Furthermore, in such a world, shifting political alliances may generate new intellectual configurations, whose legitimacy may require constant examination. The essays in this book address these and similar issues.
The volume consists of fourteen essays written by scholars of diverse disciplinary discourses, such as Philosophy, Political Science, Literature, Economics and Classical Studies (Sanskrit) and presented to the serious reader as an Indian picture of the virtuous life set against the larger background of virtues that are woven into the fabric of Western civilization.
Set against the background of the contemporary popularity of virtue ethics in the West, this book projects a unified picture of Indian Virtue Ethics by highlighting two interrelated purposes. First, it canvasses the point that Indian ethics, both in its classical and its modern shapes, is basically founded upon the cultivation of those attitudes that conduce to the realization of a virtuous self. Second, it draws out the various facets of virtues, traditional and modern, which bear a specifically Indian character. With these two aspects combined into a complex whole, this work manages to present itself as a coherent set of ethical ideas with a distinctively Indian identity.
The book consists of fourteen essays written by scholars belonging to diverse disciplinary discourses: Philosophy, Political Science, Literature, Economics and Classical studies (Sanskrit). As such, it presents to the serious reader a multi-perspectival Indian image of what it is like to lead a virtuous life and to aspire for human perfection.
Central to the Indian ideal of human perfection in the Indian tradition is the place of dharma in the overall scheme of life. While this centrality of dharma is recognized in the essays included in this book, the virtue-ethical interpretation of this central concept attempted in these essays is marked by a broader understanding of the concept adapted to the imaginative elucidation of the idea of a dharmic or virtuous life.
It is strongly believed that this book will be an eye-opener to scholars in Philosophy, Religion and Cultural Studies. It promises to set a new standard of ethico-philosophical scholarship by expanding the horizon of virtue ethics as it appears in present Western moral philosophy.
This book presents an in-depth study of the concept of dharma and acknowledges that Indian reality encompasses the elements of religion and dharma. It explores an alternative understanding of Indian civilization, independent of Western presuppositions as well as some contemporary issues relating to women and the dilemmas faced by the Indian diaspora.
Each stable culture and major civilization of the world consists of a distinct material base and a distinct ideational structure and has an inherent mechanism of striking its own equilibrium between the two. In the Indian tradition dharma is the balancing force. Religion and ideology are literally treated as synonymous with the Sanskrit word dharma. But dharma differs from religion in not being exclusive, and from ideology in possessing a transcendental dimension. The papers in this volume acknowledge that neither the word religion nor dharma can be discarded while looking at the Indian reality. They address themselves to the question: To what extent does the continued use of the concept of religion in the Indian context reflect reality, and to what extent does it distort or misrepresent its dhàrmic reality? Given India’s historical and the present existential situation these papers explore the question: Is an alterative understanding of Indian civilization possible, independent of Western presuppositions? The articles in the book present an in-depth study of the concept of dharma and its relation to the other purusharthas artha, kama and moksha, as well as with society, science, religion, Ayurveda and secularism. Relying mainly on the Vedas, epics, Manusmriti and the writings of Plato, Vivekananda, Gandhi et al., these papers explore some contemporary issues relating to women (stri-dharma) and the dilemmas faced by the Indian diaspora, especially in the UK and the US. These discussions have an appeal for a general reader as well as for scholars of Philosophy, Religion, Women’s Studies, Modern India and Sociology.
This book presents a proper meaning of the Ramcharitmanas chaupai, Dhola gamvara sudra pasu nari , ye sab tadana ke adhikari using the actual meaning of the word, tadana, in Avadhi language, and by delving into the deep philosophical references of the Pancabhutas, ether, air, fire, water, and earth of the Samkhya and
Vaishesika darshanas, as intended by Goswami Tulsidas.
Bhakti is the tool prescribed in the present Kali age to reach the Supreme. Over the last seven centuries mystic reformers preached a monotheistic religion, without caste distinction and wandering singers spread their message in the vernacular languages. This dictionary will enable a wider readership to access and understand the beautiful texts available in bhakti literature.
After ce 1000 an important change took place on the religious scene in India. With the arrival of the Muslims and the establishment of Muslim governments in Delhi and elsewhere, Hinduism was confronted with a powerful religious tradition that was not only supported by military strength but was also endowed with a strong tradition of mysticism. Along with this double challenge, India was invaded by a language, Persian, that became the official language of the imperial court. From ce 1300 onwards a remarkable phenomenon changed the religious history of India. Popular mystic reformers appeared, reacting vehemently against both the Brahmanical ritualism and the corruption in Islamic practices. They preached a monotheistic religion, without caste distinction, stressing very personal devotion and giving their message in the vernacular languages, not in Sanskrit.
The language of this bhakti literature is a mixed medium that, until now, has not been described in detailed grammars and dictionaries, as was the case with Sanskrit. The vocabulary of this medium was borrowed, not only from Sanskrit and Persian but also from local idioms and dialects, and wandering singers adopted many terms and expressions as they travelled from one region to another. Consequently, each fresh edition in this field requires new grammars and glossaries.
The challenge of research in this area is the fact that this literature is only accessible in manuscripts and little has been critically edited. Secondly, the language in which these hymns were sung has been studied only imperfectly, although a lot of progress has been made in the last twenty years. It is important that a wider readership should be able to access and understand the texts available, and it is here that we should situate the usefulness of the Bhakti HindiEnglish Dictionary.
This Dictionary attempts to reveal the divine paradoxes of Buddhist-Hindu iconography by even interpreting the nuances of their iconic language. It explains, vividly, thousands of iconic representations (visual, conceptual symbols, images, objects, concepts, rites).
Man has, from times immemorial, exhibited a striking predilection for symbols. Which, through written words, drawings, sculptures or other visual/iconographic representations, seem to have shaped much of mankinds culture. From the simplest, yet eloquent, drawings on the walls of the prehistoric caves, through the sophistication of Egyptian imagery, the sculptural embroidered wealth of a Khajuraho, or the convoluted elegance of a Mannerist painting all interweave iconographic imagery so inextricably into their very core that, without its visual/didactic richness, these would be a mere shell, a hollow vanity! Veritably, our cultural scenograph will lose much of its aesthetic charm and meaning, once it is bereft of iconography. Over the centuries, Buddhisn and Hinduism (Brahmanical) have built up pantheon after pantheon, with a bewildering number of divinities, in varying forms and emanations and, significantly, with myriad iconographic attributes. Which, for both their definable precision and complex multi-interpretationality, not merely seem paradoxical, but may baffle even the specialists and the initiated as well. Here is just the Dictionary trying, for the first time, to help you see into the divine paradoxesof Buddhist-and-Hindu iconography and, simultaneously, interpret the very nuances of their iconic language. Painstakingly compiled by a distinguished scholar of Oriental/Buddhist Art, it is a Buddhist-and-Hindu Iconologia par excellence, spelling out vividly thousands of iconic representations, which these two of the worlds oldest, sustained faiths have left for all times to come. In its monumental effort to explain/interpret Buddhist-and-Hindu visual/conceptual symbols, images, objects, concepts and rites, the Dictionary extends the definition of iconography to embrace numerous peripheral/other terms, which either have immediate relevance to iconographic principles or are hard to dispense with in visualizing the true import of different icons. Dr. Bunces work has, at its base, his own first-hand observation of various temples in India, Nepal and several Southeast Asian countries; besides a number of authentic sources: both illustrated and verbal. Flawlessly illustrated: from cover to cover, it includes a compellingly readable introduction, an easy-to-understand Users Guide, extensive bibliographic references, and two well-planned lists to facilitate location of its each headword, each entry. Which all reinforce the Dictionarys indispensability to the specialists and the non-specialists who have often to grope for the essentials of Buddhist/Hindu iconographic complexities.
The book systematically studies various Hindu gods and goddesses based on Hindu sacred literature. It covers their earliest references and the evolution of their worship, their attributes and forms, and their signific-ance in the Hindu scheme of worship. It also includes references to many animate/inanimate sacred beings/things associated with the deities.
The Hindu pantheon of gods and goddesses has evolved over many millennia from a simple worship of elements and phenomena of nature to a complex system of myriad gods and goddesses of differing physical attributes, characteristic features and functions and each with different forms. The present Dictionary is an attempt to provide an in-depth yet comprehensive account of Hindu gods and goddesses referring to all the important religious sources. Based on Hindu sacred literature including the Vedas, epics and the Puranas, the book is a systematic study, in alphabetical order, of various Hindu gods and goddesses covering aspects such as the evolution of their worship and their earliest references in texts, stories of their birth and achievements, their attributes, their significance in the Hindu scheme of worship, their forms of representations, and their relationship with one another. It has references to not only personified beings but also other animate and inanimate sacred beings/things, seen in close association with the deities and worshipped by devotees, like Nandi, the bull, the snakes, the banyan and pipal trees, the saligramas and the banalingas. The adornments, vahanas, weapons and places associated with the deities are also elaborately discussed. The Dictionary will be an immensely useful reference work for scholars of ancient Indian mythology and religion as well as general readers willing to know more about Hindu gods and goddesses.
This newly-edited edition of D?ks??prak??a brought out jointly by DK Printworld and The Tantra Foundation, New Delhi is an authentic compilation based on some of the authoritative Tantras such as the ??rad?tilaka and the Tantras?ra of ?gamav?gi??a. The short and succinct work covers a wide range of ta?ntric topics such as rites associated with ta?ntric form of initiations, the qualities of guru and the disciple, activation of ta?ntric mantras by means of the esoteric rituals and worship of deities.
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