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    This Dictionary of Hindi — Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.

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    Apbharamsa Hindi Kosha by: Naresh Kumar 1,350.00

    This Dictionary of Hindi — Apabhramsa gives in detail the grammatical importance of words, their meanings, correct spellings, the alternate words and their various usages as mentioned by lexicographer Naresh Kumar.

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    This volume focuses on those issues of the “Real” which have been treated and discussed by the philosophers of contemporary India such as K.C. Bhattacharyya, Surendranath Dasgupta, S. Radhakrishnan, Ras-Vihari Das, P.T. Raju, Satchidananda Murty and J.N. Mohanty.

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    Approaches to the Real in Contemporary India by: Soumitra Basu, Maitreyee Datta, 630.00

    “Man’s inquisitiveness to know about the “Real” has its origin in the philosophical traditions of the West and the East alike. For the ancient Greeks, the Real was metaphysical in nature and they sought to determine the nature of the real through the teachings of philosophers like Aristotle. These views later found place in the philosophy of many Christian fathers of the medieval period. With the Renaissance, the Western philosophy underwent an epistemic turn, so also discussions on the Real. In Indian philosophical heritage, the classical Indian philosophers of different philosophical systems too tried to grasp the concept of the Real from different theoretical frameworks and envisaged certain conclusions. The articles presented in this volume focus on those issues of the Real which have been treated and discussed by the philosophers of contemporary India such as K.C. Bhattacharyya, Surendranath Dasgupta, S. Radhakrishnan, Ras-Vihari Das, P.T. Raju, Satchidananda Murty and J.N. Mohanty. It also gives a glimpse on Professor Mohanty’s view on the Einstein–Tagore controversy.”

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    Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. The work examines the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic and classical works, with a thorough study of the depiction of the legend of the Urvasi and Pururavas.

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    Apsarases in Indian Literature and the Legend of Urvasi and Pururavas by: Krishna Kanta Handique 315.00

    Indian literature abounds in a variety of myths and legends narrating allegorical/historical stories with moral teachings where celestial or semi-celestial beings, in particular the apsarases, occupy an important place. Of such legends, a few have become much popular and they reappear in the course of the history of literature at various stages. One such legend is that of Urvashi and Pururavas which is one of the most ancient legends of India, owing its origin to the Rigveda. This scholarly work, based on extensive original sources — primary, comprising ancient Sanskrit texts, commentaries and glosses and modern literary pieces, kavyas and plays, as well as critical writings on these original works, studies the origin and development of the institution of apsarases and their characteristics as described in the vast corpus of Vedic, Epic-Puranic and classical works. In this context, it undertakes an interesting survey of the concept of nymphs (apsarases) in Indo-European, especially Greek mythology. Dr. Handique then thoroughly examines the depiction of the legend of Urvashi and Pururavas — a favourite theme that has been immortalised in literary masterpieces in Indian literature as a whole: from the ancient Vedas and Puranas, the Harivamsha and Vikramorvashiyam to modern works like Urvashi Janani and Abhishapta Urvashi and stray poetic pieces. Presenting a new angle to the study, the book attempts to explore aspects of an age old tradition that bears close affinity with the institution of the apsarases in terms of mode of living worship and ideals — like system of the devadasis. The book will prove invaluable to scholars of Indian mythology, culture and literature as well as interest general readers of ancient India’s legends and tales.

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    The work studies the evolution of archaeological research in post-independence India: from the new dimensions added to the ancient Indian past by archaeological research in the initial phase to the present era when the national archaeological policy seems to have lost its direction. It highlights the mileposts in its course of development and explores the traits of third world archaeology.

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    Archaeology in the Third World by: Dilip K. Chakrabarti 990.00

    This book offers an authoritative historical frame of archaeological research in post-Independence India. It outlines the early evolution of the new India’s archaeological policy and the wide range of discoveries, which accompanied it. It shows how in the first flush of Independence archaeological research added new depths and dimensions to the ancient Indian past. It also looks closely at the tangled web of ideas behind this research, highlighting the major mile-posts in its story of development. At the same time it demonstrates with unerring clarity how the national archaeological policy of the 1950s and the 1960s has currently lost its direction. This is accompanied by an incisive analysis of different aspects of Indian heritage management, including the impact of religious fundamentalism, the looting of antiquities and the place of archaeology in Indian education. Finally, there is a detailed discussion on the scope of ‘nationalist archaeology’ in India. One of the core arguments of the book is that the developments and features of post-Independence Indian archaeology may be representative of the archaeological scenario of the Third World as a whole. In fact, this is the first book to set down clearly the basic traits of Third World Archaeology and argue for its acceptance as a separate conceptual area in mainstream archaeology.

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    This book delves into the rich antiquity of Mayurbhanj as evident in its archaeological discoveries. It discusses how the patronage of enlightened rulers helped archaeologist-scholars like K.P. Bose to unravel Mayurbhanj’s ancient wealth.

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    Archaeology of Mayurbhanj by: Prabodh Kumar Mishra 432.00

    Mayurbhanj, the leading princely state of Orissa in the pre-independence days, heroically encountered the twists and turns of history under the peacock-emblemed Bhanjas and continued to flourish for many centuries as an independent sub-regional kingdom, enriching Orissan history and culture in the tribal-dominated region. Today, the splendour of ancient Mayurbhanj (Khijjinga mandala) can be sought in its archaeological treasures — that is, fascinating Stone Age tools, copper plate inscriptions, Roman, Kushana and Gupta coins, and spectacular monuments with intricate sculptural work. Professor P.K. Mishra, in this book, attempts to delve into the rich antiquity of Mayurbhanj as evident in its archaeological discoveries that have had a great impact on Orissan culture. The author discusses how under the patronage of enlightened rulers like Maharaja Sriramachandra Bhanj Deo and Purna Candra Bhanj Deo, committed archaeologist-scholars like Kamakshya Prasad Bose, R.P. Chanda, Sailendra Prasad Bose undertook pioneering and painstaking efforts to lay bare Mayurbhanj’s ancient wealth. He unfurls the story of Mayurbhanj’s discovery in a vivid and interesting account while, at the same time, providing new light on the archaeological excavation and conservation. This work, explaining the rich, intricate past of an area of historical importance, is bound to inspire as well as provide useful information to scholars and researchers involved in Indian history. A very lucid language with constant flow and about 50 photographic representations enhance the value of the book.

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    The scholarly work throws light on the artistic, aesthetic, literary and philosophical aspects of the Ardhanarisvara form of Siva. Providing a conceptual and historical background of the doctrines relating to Siva and Sakti worship — it involves an iconographical study of the Ardhanarisvara image.

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    Ardhanarisvara in Art and Literature by: Neeta Yadav 1,620.00

    The scholarly work throws light on the artistic, aesthetic, literary and philosophical aspects of the Ardhanarishvara form of Shiva — the form which is a divine expression of the amalgamation of the male and the female and is said to contain the whole world in it. Providing a conceptual and historical back-ground of the doctrines relating to Shiva and Shakti worship — it involves an iconographical study of the Ardhanarishvara image, with the focus on its dress, ornaments, coiffure, posture and other features. With many visuals of the Ardhanarishvara images — even the unpublished ones, it describes the images found in different parts of India and discusses the emergence of the deity relying on literary sources and theories. Explaining how the idea and actual representation of the unity of Shiva and Shakti came to acquire supreme importance with the growth of sects — each worshipping the deity in its own form, Dr. Yadav points out that the Ardhanarishvara aspect is basically the output of the Tantra philosophy. Providing maps and line-drawings and a list of the places that have yielded Ardhanarishvara images, she makes an interesting and indepth analysis, based on extensive field-work, to come up with some brilliant and new explanations of the meaning and implications of the Ardhanarishvara.

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    This book targets those persons who seek to learn about and understand the multiple forms of religious or spiritual or secular life, across the globe. It aims to foster mutual understanding, communication and dialogues between persons having different religious, spiritual and secular orientations.

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    Are You Religious or Spiritual, or Atheist or Secular, or What? by: Sushil Kumar Srivastava 446.00

    The book, more than a philosophic endeavour, elaborately and meticulously discusses a vibrant thought – Are You Religious or Spiritual, or Atheist or Secular, or What? – for our deep contemplation and action, and suggests means to address the challenges that crop up in our spiritual life in a simple and lucid style. It is focuses on those persons who seek to learn about and understand the multiple forms of religious or spiritual or secular life. It aims to foster mutual understanding, communication and dialogues between persons having different religious, spiritual and secular orientations, and calls for a peaceful coexistence of people of different world views. In the present world spiritual scenario, it suggests a spiritual alternative of letting go with love and compassion, which is highly appealing. Also it gives an overview of the major religion of the world, keeping in mind both religious and non-religious people and persons from all walks of life. The unique feature of this volume is its down to earth practicality and simplicity in introducing, analysing and guiding its readers when dealt with a complex topic of religion and spirituality.

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    The book begins with an introduction on the prehistoric and proto-historic cultures of India and discusses human evolution as gathered from hominid fossil remains. It also examines the nature of cultural relics belonging to each period and dynastic rule; agriculture, trade, settlement and migration patterns related to making, use and spread of art materials; and social and religious aspects of society that are revealed by the art and architecture of the periods.

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    Art & Archaeology of India by: B.S. Hari Shankar 630.00

    The book begins with an introduction on the prehistoric and proto-historic cultures of India. Well-known historians discuss human evolution as gathered from hominid fossil remains, pre-human hominid remains of the Siwaliks and fossil remains of the Narmada basin. The systematic study, mentioning the areas of finds and their geography and other characteristics, examines the nature of cultural relics belonging to each period and dynastic rule; agriculture, trade, settlement and migration patterns related to making, use and spread of art materials; how the finds reflect upon rise of craft and industrial centers at the time; and social and religious aspects of society that are revealed by the art and architecture of the periods. Importantly, it reveals the interchange of cultural thoughts and lifestyles and of art and architectural influences; and the synthesis of artistic style and materials as evident in especially the periods of Muslim rule in India. The book also features fossil finds, art and architectural materials pertaining to painting, pottery, sculpture and iconography, and literary materials like Persian documents housed in the Indraprastha Museum of Art and Archaeology, New Delhi. The materials date from the stone ages, Indus-Saraswati Civilization and Chalcolithic period to what are commonly identified as the ancient medieval and modern periods of Indian history. The volume will be useful to scholars and students of various disciplines — history, archeology, art and culture, and sociology.

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    The original work presents a totally new methodology for understanding the concept of aesthetic experience through the medium of ‘dialogue’ — a dialogue between the subject and object, I and Thou.

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    Art as Dialogue by: Goutam Biswas 180.00

    This refreshingly original work presents a totally new methodology for understanding the concept of aesthetic experience. The traditional model of explaining this experience through the dichotomy of the creator, beholder or critic on the one hand, and the object of art, on the other is challenged and replaced by the new model which the author prefers to call dialogue — a dialogue between the subject and the object, I and Thou. The epistemological and ontological methods which rely heavily on the bifurcation of the subject and the object fails to reveal the true nature of the experiential whole that forms the real core of aesthetic experience. The author’s innovative methodology holds the promise for transcending the bounds of all such limitations and distinctions. Most significantly, the conception of “art as dialogue” is stipulated to work not as a means, but as an end, i.e., the consummation of art-experience itself. In this scheme the principle of relationship, not the substance, constitutes the reality of aesthetic experience and the model allows one to encompass within its scope the pre-linguistic, linguistic and trans-linguistic phases of the relationship between the man and the art. Dr. Biswas’ long training in Phenomenology and Existentialism makes his study of Martin Buber and Michael Polanyi lucid and stimulating. And his immense interest in Modern Indian Philosophy results in a superb analysis of Tagore’s and Radhakrishnan’s aesthetic approach

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    Beginning with the evolution of the Tabla, the book deals comprehensively with Tabla rhythm and explains the technique of producing the basic bols. It further describes the way to do reyaz on the Tabla, and explains the principal compositions that make up a standard Tabla recital. The CD accompanying the book carries samples of the Tabla of the major gharanas.

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    Art of Tabla-Rhythm by: Sudhir Kumar Saxena 495.00

    This authoritative work deals comprehensively with Tabla rhythm, focusing on the performed art with an eye to its history and aesthetics. It is aimed at the Tabla student, the Tabla performer, as well as the inquiring listener of Hindustani music, for whom it encapsulates a Tabla practitioner’s knowledge in these matters acquired over a lifetime of learning and teaching. Beginning with the evolution of the Tabla, the book explains the technique of producing the basic bols. It further describes the way to do reyaz on the Tabla, to maintain the instrument through changing seasons, and to raise and moderate its pitch, besides other practical directions. The author explains the principal compositions that make up a standard Tabla recital, and how they may be played in solo and sangat contexts. The major gharanas of Tabla are discussed critically, and their notated compositions are provided in both Roman and Devanagari scripts. The CD accompanying the book carries samples of the tabla of these gharanas recorded under the author’s direction, as well as demonstrations of compositions used as illustrations in the book. Grounded in traditional learning in Tabla rhythm, the book is written with a rational, empirical mind, and in a lucid manner all along which makes it accessible to a wide range of musicians and listeners.

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