Sri Devnarayan Katha...
Sri Devnarayan Katha
An Oral Narrative of Marwar by: Aditya MalikThe book presents the Sri Devnarayan Katha, an oral narrative extolling the life and deeds of Sri Devnarayan, a much-venerated deity of Rajasthan, that provides insights into the complex social history and sacred significance of the deity, his worship and his devotees. It thus explores questions on our understanding of verbal arts and oral traditions.
Original price was: ₹680.00.₹612.00Current price is: ₹612.00.
ISBN: 9788124602256
Year Of Publication: 2003
Edition: 1st
Pages : xvi, 408 [+8]
Bibliographic Details : Glossaries; Bibliography
Language : Hindi
Binding : Hardcover
Publisher: D.K. Printworld Pvt. Ltd.
Size: 23 cm.
Weight: 800
The book presents the Sri Devnarayan Katha, an oral narrative extolling the life and deeds of Sri Devnarayan, a much-venerated deity of Rajasthan, that provides insights into the complex social history and sacred significance of the deity, his worship and his devotees. It thus explores questions on our understanding of verbal arts and oral traditions.
Prefatory Note
Acknowledgements
Map of Rajasthan with locations from the narrative
Introduction
Glossary
Bibliography
- Sale!Chandogya Upanisad Translation and Commentary Original price was: ₹1,350.00.₹1,215.00Current price is: ₹1,215.00.
Chandogya is the most intriguing of all the Upanishads. It begins with directing the priests of a Soma-yaga to see the hidden wisdom-significance in what they perform and recite as a brute ritual. This sublimating of ritualism gradually leads us to perceiving the entire life system as a yaj¤a held in and performed by Brahman. The next step this perception leads us to is “sarvam khalvidam brahma” (everything here indeed is Brahman). Then the enquiry as to what this Brahman is, begins. The answer we arrive at is “tat tvam asi” (That thou art). Finally we realize “atmaivedam sarvam” (atma indeed is everything here, or myself indeed is everything here). From this self-identity with “everything,” with Brahman, we never return to our identity with individuated forms pertaining to the world of becoming. The present commentary explicates in a lucid way how thinking progresses in this Upanishad, along with unravelling its schematic, structural and dialectical intricacies, both subjective and objective, both universal and particular.
- Sale!Lilavati Vithi of Ramapanivada Original price was: ₹650.00.₹585.00Current price is: ₹585.00.
The Lilavati, a vithi, is the magnum opus of Ramapanivada, a versatile poet of eighteenth century ce, a resourceful and multitalented writer of almost all the genres of creative compositions, belonged to Kerala, India. The Lilavati is the best of all available specimens of vithi literature in the history of Sanskrit drama. The plot of the Lilavati Vithi is based on the love story between Virapala, the king of Kuntala, and Lilavati, the daughter of the king of Karnata.
The text of the present volume of Lilavati Vithi is carefully edited and presented with a Sanskrit commentary Praci in the light of Sanskrit dramaturgy as well as Indian rhetorics. The commentary Praci treats to critically evaluate various poetical aspects, like figures in speech and metres. The characteristics of vithi with the suitable examples from the Lilavati, the thirteen numbers of vithyangas, the type of amukha or prastavana are explored in the introduction. It also presents an account of the history of the literature of available and non-available vithi type in its introduction.
Present edition of Lilavati Vithi along with the Sanskrit commentary Praci and an extensive introduction in English and appendices will interest scholars and students of Indology who are focused on the study of Sanskrit literature. It will benefit the readers interested in classical Sanskrit literature. It will also be a supporting tool for the researchers of the history of classical Sanskrit literature in general and vithi literature in particular. - Sale!Comparative Literary Theory Original price was: ₹800.00.₹720.00Current price is: ₹720.00.
“Two cultures of the world — Greek and Indian — have nourished literature. While the contemporary Western thinking is rooted in Greek thought, especially of Socrates, Plato and Aristotle, and percolated down to the modern European languages with the advent of Christian thought, the multilingual Indian literary tradition has its base from the classical Tamil, Pali, Prakrt and Sanskrit.
Though cultural specificity marks these two traditions off from each other, the universal human condition that finds expression in all literatures binds them together. This book delves deep into the growth of poetics, theory of literature, literary artefacts, aesthetics of literature as an art form, and dramaturgy and philosophy of literature.
Cultures have given forms as their typical expressions — for India great epics, for Greece tragedies, and for England lyrics. Similarly, different ages of a culture find expression in different forms — Elizabethan age of England in lyrics, sixteenth-seventeenth centuries in drama, eighteenth century in prose, and nineteenth century in novel. India’s genius is in epics and its expression unfolds in sravya-preksa compositions, being singable poetry as its preferred form.
This book must serve pretty useful for students and teachers of literature. Also, an invaluable collection for researchers in literature.” - Sale!Atreyashiksha Original price was: ₹800.00.₹720.00Current price is: ₹720.00.
Atreyashiksha is one of the Shiksha texts of the Krishna-Yajurveda, Taittiriya school. This text has been critically edited and translated consulting two palm-leaf manuscripts which are currently the only discovered manuscripts of this text in public libraries. Shiksha texts deal with phonetics and phonology of the Vedas and the method of proper pronunciation and recitation. The Atreyashiksha is well-structured in terms of arranging its topics of discussion.
When compared to the other Shikshas of the Taittiriya school, the Atreyashiksha, in keeping its focus on the discussion on the different methods of Vedic recitation, namely, word-reading (padapatha), sequential reading (kramapatha), tangled reading (jatapatha) and the five varieties of the reading of the phonic sequences (varnakramas), holds a unique position in the corpus of the Shiksha literature. A close reading of the text shows that the main aim of the text is to explain the practical aspects of the different ways of Vedic recitation, in whose connection it describes the theoretical elements of Shiksha too.
The book, therefore, serves as a practical guidebook to Vedic reciters who recite the above-mentioned readings of the Taittiriya Krishna-Yajurveda along with the continuous reading. While describing the methods of recitation, the Atreyashiksha gives enough emphasis on the theoretical nuances. The phonological rules, most of which are expressed in the Taittiriya Pratishakhya, are also illustrated in this text. This book consists of a detailed introduction, the critically edited text in Devanagari script, its Roman transliteration and an authentic English translation. - Sale!Balagopalastuti Original price was: ₹1,195.00.₹1,076.00Current price is: ₹1,076.00.
The Balagopalastuti occupies an important place both in the annals of Krishna art as well as Krishna bhakti. This book brings to light both the poetry and paintings and touches both the Krishna rasika and Bhakta.
